Commercial Relations · Licensing · Distribution · Partnerships
The business of recorded music extends well beyond the release itself. It involves the careful coordination of rights, distribution arrangements, commercial interests and the relationships that allow a project to find its place in the market.
At Liwaxs Granth Records, our business activities are centred on the commercial administration of recorded music and the development of opportunities surrounding our catalogue. We approach each prospective arrangement on its own merits, taking into account the nature of the recording, the parties involved, the intended use and the scope of the proposed agreement.
We recognise that no two projects are commercially identical. A distribution arrangement, a licensing request and a prospective brand partnership each require a different set of considerations, and we believe those distinctions should be reflected in the way they are handled.
Liwaxs Granth Records considers business proposals relating to its recordings, catalogue and associated creative projects. Enquiries may originate from distributors, music supervisors, media organisations, brands, production companies and other parties with a legitimate commercial interest.
We welcome proposals that are clearly defined, commercially credible and accompanied by sufficient information to allow their merits to be assessed.
When contacting us, please outline the nature of your proposal, the recording or project concerned, the intended territory, the anticipated usage and any relevant deadlines. Where applicable, details of the proposed commercial terms and the parties involved are also helpful.
A well-substantiated enquiry allows us to establish at the outset whether a proposal falls within the scope of our activities and what further discussion may be appropriate.
The use of a recording for a particular commercial purpose may require specific authorisation, depending on the rights involved and the proposed application.
We consider licensing enquiries relating to the authorised use of recordings across relevant media and commercial contexts. These may include audiovisual productions, advertising, editorial projects, digital campaigns and other uses, subject to rights availability.
The scope of any licence is determined by the relevant agreement. Territory, duration, permitted use, exclusivity, media and commercial terms may all be material to the arrangement.
A request for permission does not, in itself, constitute a licence or confer any rights. No proposed use should be treated as authorised until the necessary permissions have been confirmed by the appropriate rights holder or authorised representative.
Getting a release to market involves more than selecting a release date and delivering audio files. Accurate metadata, ownership information, contributor credits, artwork specifications and delivery schedules all form part of the process.
Our distribution-related activities are concerned with the proper preparation and administration of releases, together with their availability through the relevant distribution channels. The arrangements applicable to an individual project depend on the distribution infrastructure, contractual terms and rights in place.
Liwaxs Granth Records does not treat platform availability as synonymous with ownership or control of every right associated with a recording. Those matters are determined by the underlying agreements and the rights held by the respective parties.
The Liwaxs Granth Records catalogue encompasses projects associated with its own name and its affiliated imprint structure.
Angel-Boy Music serves as an imprint within the Liwaxs Granth Records organisation, providing a distinct identity for selected releases.
Sweet Thing Records forms part of the wider organisation and may undertake designated release or licensing activities in accordance with the arrangements applicable to individual projects.
Where a recording is released under an exclusive licence, the distinction between the originating imprint, the licensee and the wider corporate structure remains material. The precise rights granted, their duration and the territories and formats covered are governed by the relevant agreement rather than by the imprint designation alone.
This distinction is particularly relevant to projects involving multiple labels or release identities, where clear attribution and an accurate account of the rights relationship are essential.
We welcome enquiries concerning the potential use of eligible recordings in film, television, advertising, games and other audiovisual productions.
Such requests should identify the intended production, the nature of the proposed use, the relevant scene or campaign, the territory, the anticipated term and the expected release or transmission date.
Depending on the project, separate permissions may be required for the underlying musical composition and the particular sound recording. The availability of one does not necessarily establish the availability of the other.
All requests are subject to verification of the relevant rights and the terms on which the proposed use may be authorised.
We are receptive to considered proposals that offer a clear rationale for collaboration and a defined benefit to the parties concerned.
Areas of potential interest may include music-related campaigns, selected brand collaborations, catalogue opportunities, distribution arrangements and creative projects aligned with the company's activities.
Our preference is for proposals that demonstrate an understanding of the project in question rather than rely on broad, unsolicited partnership language. Relevant background, a clear commercial proposition and a realistic account of the proposed execution provide a more useful basis for discussion.
Submission of a proposal does not imply acceptance, exclusivity or a commitment to enter into negotiations.
Music rights and commercial arrangements are frequently territorial in scope. A licence or distribution agreement applicable in one market should not automatically be assumed to extend to another.
For enquiries involving the United States, the United Kingdom, European markets, Canada, Latin America, Asia-Pacific or other territories, the intended geographic scope should be stated expressly.
Any international arrangement remains subject to the rights available for the particular recording, the relevant contractual restrictions and the applicable terms of the proposed transaction.
For business correspondence, please include the following where relevant:
Organisation: Company or professional affiliation
Proposal: A concise explanation of the intended arrangement
Recording or project: Title, artist and relevant catalogue information
Territory and term: Proposed geographic scope and duration
Usage: Intended commercial or creative application
Timing: Relevant deadlines and anticipated launch date
Commercial terms: Proposed fee, structure or other material conditions, where applicable
Please do not include confidential documents or sensitive personal information in an initial enquiry unless their submission is necessary and an appropriate method of transmission has been established.
Liwaxs Granth Records
Business Affairs
Email: liwaxsgranthrecords@gmail.com
All enquiries are subject to review. Submission of a proposal does not guarantee a response, approval or the conclusion of a commercial agreement.
LIWAXS GRANTH RECORDS
Business Affairs & Recorded Music
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